I think our friendship allowed that vulnerability to come through."īut she hadn't met Chávez yet and was a little nervous that she'd be able to establish a bond to get what she needed. You could feel his pain and him remembering the pain of being booed by his own people. "I think he had a comfort level with me that allowed him to explore the emotions raw. And I think it helped the documentary to have that intimate connection," she said. "I knew most of the stories he was telling. And she realized that was the movie she wanted to make.Īnd though many of the cards were in place for Bastón and her team to get the access and interviews they needed, she also shot the documentary during COVID-19, which led to more than a few headaches and obstacles.ĭe La Hoya, she knew, wasn't going to be a problem.Īrchives: 20 years later, historic Oscar De La Hoya fight in Sun Bowl still resonates in El Paso You know, 'Everybody come over and we all pitch in a dollar!'"īut then she started to think about that moment and how divisive it was to Mexican-Americans. "My entire neighborhood was like looking for stolen cable to watch it, or like one person's TV to pay for the fight. "You didn't even have to be a boxing fan to know where you were the day that that fight happened," Bastón said. She remembered the night of the bout, of course. "The last thing I wanted to do was a boxing doc with stats and jabs." So he asked Eva Longoria Bastón, his friend of 20 years, if she'd be interested in directing. It was coming up on 25 years since the "Ultimate Glory" showdown and he figured the time was right to look back. View Gallery: Boxing matches in El Paso have included Cesar Chavez, De La Hoyaīoxing legend Oscar De La Hoya wanted to make a documentary about his 1996 fight against Julio César Chávez.
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